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HISTORY

From Book to Docudrama

 

In the early 1980’s, Sally Hayton-Keeva began interviewing women about their experiences in war.  She had known her father’s experience in World War II, but how did she, a woman, fit into our collective war history?  

"War seen through women’s eyes makes a different kind of war story.  I needed to know this different war story.  Did war cast shadows over women’s lives as it had my father’s?  Were there women who woke screaming in the night?"

Sally spent five years interviewing over 60 women and eventually transcribing 38 of these women’s stories.  At the end of this task, she had 2000 pages.  From there she edited these pages into her book, Valiant Women in War and Exile.  However, she had difficulty finding a publisher; it was criticized for not having a definitive point of view on war.  Sally was not anti-war or pro-war.  To be pro-war meant to belittle Betty Bethards and her son who she lost in Vietnam.  To be anti-war meant to disrespect the story of Sara Fabri who spent a year in Auschwitz.

The book received little recognition, and therefore few read it. Following Lanna's discovery of and connection with the book, she contacted Sally and received her permission to adapt it into a play  - Valiant.  Most of these women had never shared their stories until they spoke to Sally.  So many of them have been silent for too long - the book and now this play break their silence.  

 

The book had since been republished (2003) by Washington State University Press and references the development of the play. Copies of Valiant Women in War and Exile can be found and purchased here.

Sally Hayton-Keeva with some of the 38 women whose verbatim accounts she transcribed at a book signing of the first edition of Valiant Women in War and Exile. City Lights Bookstore & Publishers, San Francisco. 

2004 

  • New York International Fringe Festival featuring 200 hundred shows from all over the world. It was performed on August 20th, 21st, 24th, 25th and 28th at the Greenwich Street Theatre in Soho. Lanna Joffrey won one of five Best Performance awards. Valiant was also listed as one of the BEST SHOWS TO SEE by New York Magazine. (Full Production) 

  • Imagine Festival of Arts Issues and Ideas, a citywide cultural festival designed to inspire, instigate and support civic engagement. Performed at Chashama on August 30th in Midtown Manahttan. (Reading) 

  • The Albuquerque Academy in Albuquerque, New Mexico as part of the Academy's 50th Anniversary celebration for three performances on October . Valiant was shared with over 1000 students, parents and teachers. Our guest of honor was Joe Keeva the husband of Sally Hayton-Keeva who suddenly passed away on August 12th, 2004. (Full Production)

2005 
  • The United Nations Celebration for the Committee on the Status of Women on March 5th. (Reading) 

  • The Calhoun School fund raiser to benefit Eve Ensler's V-Day charity organization committed to "the movement to end global violence against women and girls" for two performances on January 21st. (Staged Reading) 

  • THAWs Freedom Follies at Chashama in Midtown Manhattan. (Selected Reading)

2006
  • The Culture Project (NYC) The Impact Festival Oct. 16th. A City-wide festival hosted by the culture project focusing on human rights, social justice, and political action. (Staged Reading)

  • Brooklyn Rail at Bowery Poetry Club on July 30th. (Selected Reading)

  • Williamstown Theatre Festival on July 23rd. (Reading)

  • THAW/NOPE Freedom Follies at the Culture Project on April 17th. We performed that evening along with Kia Corthron, Michael Cerveris, Marin Ireland, Florenzia Lozano, Omar Metwally, Suheir Hammad, Caridad Svich, Saviana Stanescu and others. (Selected Reading)

  • Urban Stages Outreach at the Coney Island Public Library. (Reading)

  • Unofficial New York Yale Cabaret at the Laurie Beecham Theatre for 8 performances on February 24th through March 11th. Nominated for New York Innovative Theatre award for Oustanding Ensemble. (Full Production)

  • The Cabaret For Peace and Justice at Hunter College on March 8th. (Selected Reading)

2014
  •  International Women's Day Festival 8 March 2014 in London, United Kingdom , Royal Central School of Speech and Drama

  • CodePink Benefit, 14 March 2014 in Los Angeles, California, Greenway Court Theater 

2016
  • JW3 Jewish Community Center London, 17 February 2016 in London, United Kingdom

  • Women of the World Festival, 12 March 2016 in Folkestone, United Kingdom, Quarterhouse

  • St. Barnabas Church, 19 March 2016 in Hove, United Kingdom. A benefit performance to raise funds for the Syrian refugee crisis. (Reading)

  • Women in War Festival, 14 performances from 5-31 July, 2016 in London, United Kingdom, So & So Arts Club

2003
  • New Dramatists closed developmental reading on October 31st. (Reading) www.newdramatists.org
  • The Ohio Theatre in Manhattan again to fundraise for Eve Ensler's V-Day charity organization committed to "the movement to end global violence against women and girls" on November 12th & 19th. (Reading) www.vday.org
2007
  • Syracuse University - March 28th

  • CodePink Benefit (LA) -March 14th at the Greenway Court Theatre 

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